Albert Dietrich: symphony, violin concerto and overture, forthcoming from Naxos

Started by Alan Howe, Sunday 23 October 2011, 09:37

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John Boyer

An observation on the concerto: remember in the old days when conductors regularly subjected scores to the blue pencil? Cut recordings of Rach 2, Manfred, and many a cut ritornello from a concerto.

When I first heard the Koch recording of the Dietrich concerto, the short introduction sounded suspiciously like a full length ritornello that had been clumsily cut.  Later recordings and availability of the score speak otherwise, but now I wonder: do you suppose Dietrich might have originally composed a full double-exposition, but then changed his mind, leaving only the short introduction we have now?  It's never sounded quite right to me. 

Alan Howe


Alan Howe