Rauchenecker Symphony No. 1 in F minor, etc.

[Alan Howe]

The parts of the F minor symphony (1882) are at Zürich.

[francisco]

Hi all,

I am the co-author of the German Wikipedia-Article about Georg Wilhelm Rauchenecker and I am currently working on a more detailed CV. All known printed music and copied manuscripts are in my archive, so feel free to ask for a copy of whatever you like...

best regards from Germany!
Frank

[Alan Howe]

Hallo Frank,

Haben Sie also Partituren/Stimmen der Symphonien und Konzerte?

Grüsse,

Alan Howe

[francisco]

Hi Alan,

exactly! Be aware that a lot of his music is still missing. Regarding the concerts and his orchestral and chamber music the following pieces are in my bookcase:

1. Sinfonie f-Moll
Symphonisches Tonwerk im Stil einer Ouvertüre
Violinkonzert Nr. 1 a-Moll
Streichquartett Nr. 1 c-Moll
Streichquartett Nr. 2 D-Dur
6 charakteristische Tonbilder
Orientalische Phantasie

lots of greetings
Frank

[Marcus]

Hello,
Great to hear of another unknown/unsung. In a few years, some enterprising musical historian will probably find enough new names in this forum, to rewrite the Dictionary of 19th century Composers.
I do not wish to detract from the thread of your topic,but I would like to mention another of those unknowns. Like Mark, I sometimes search through my CD collection for something that I hadn't heard for ages.
I mention the Piano Quintet in D minor op13 by Franz Limmer (1808-1857). He studied the cello & clarinet in Vienna.
He wrote Masses, Symphonies, chamber works ( including a quartet for 4 Cellos)& songs.
The Quintet is a massive work of four movements lasting 47'24".
Marcus.

[Alan Howe]

Hallo Frank,

Are you able to copy the symphony and Violin Concerto? If so, please contact me on my private e-mail...(see Members list and click on my name to find my e-mail address).

Thanks,

Alan

[chill319]

Parts for Rauchenecker's String Quartet 1 have recently become available on IMSLP:  http://imslp.org/wiki/Category:Rauchenecker,_Georg_Wilhelm

[eschiss1]

The second string quartet in D seems to be at British Library at Yorkshire's Library Reference Collections (www.worldcat.org is a reasonably good resource for locating these things, though it's well-known so I mention it just in case.) His opera Sanna is in vocal score at Arizona State University. U California Berkeley has "Die letzten Tage von Thule". No idea who has full scores of the operas; presumably his estate, or possibly the publisher of the vocal scores. Possibly.

(The C minor quartet has recently been republished - 1997 - by Amadeus-Verlag, I think, making it easily his most accessible score anyway.)

[francisco]

Just to notify you: please check http://imslp.org/wiki/Category:Rauchenecker,_Georg_Wilhelm for some recently uploaded scores including the second string quartet.

[Alan Howe]

Thanks, Frank!

[Alan Howe]

Here's the Wiki article:

Georg Wilhelm Rauchenecker (* 8 March 1844 in Munich; † 17 July 1906 in Elberfeld, (today part of Wuppertal) was a German composer, conductor and violinist.

Life

Childhood and Youth (1844-1860)

Georg Wilhelm Rauchenecker was born in Munich on 8 March 1844; he was the first child of Jakob Rauchenecker (1815–1876), an official musician of the city, and Rosina Crescenz Rauchenecker, née Wening (1815–1876) and was baptised a Catholic two days later at St Peter's in Munich. As a young boy he was sent by his father to his uncle, Georg Wening, who had been pastor of the parish of Thalheim (pop. 260) near Erding since 1855. It is possible that Rauchenecker was expected to follow the same career path as his uncle. After this he attended the King Maximilian Grammar School in Munich and here, at the age of eleven, he played first violin accompanying the church choir. Rauchenecker received comprehensive musical instruction in both piano and organ from Theodor Lachner (1798–1877), in the violin from Joseph Walter (1831–1875), in counterpoint from August Baumgartner (1814–1864) and in composition from Franz Lachner (1803–1890). From 1869 he himself gave violin, piano and organ lessons, as well as teaching harmony, counterpoint, fugue and the theory of musical form, and orchestration. Max Hieber, who later on was the court conductor at Munich, was one of his pupils during this period.

His French Years (1860-1870)

On 1 August 1860 Georg Wilhelm Rauchenecker received a passport to travel to France: initially he went and worked as first violin at the Grand Théâtre in Lyon. In 1862 he was appointed conductor in Aix-en-Provence and then in 1864 he took the post of chief conductor of the theatre orchestra in Carpentras. Here, in 1866, he married Elisabeth Antoinette Emilie Fournial (1842–1870), a lecturer. Their twins, Alban and Margarethe were born in Carpentras on 8 September 1867. In 1868 Rauchenecker accepted a position in Avignon as chief conductor of the opera orchestra and director of the conservatoire. After being expelled from France as a German citizen when the Franco-Prussian War broke out in 1870, he settled in Switzerland.

His Swiss Years (1870-1884)

Shortly after arriving in Zürich, his wife Elisabeth died: she was only 28 years old. Rauchenecker earned his living as a piano teacher and was also a member of the Tonhalle Orchestra in Zürich. He was introduced to Richard Wagner by his future brother-in-law, Oskar Kahl, the conductor of the Zürich City Orchestra. On 21 December 1870 the first rehearsals for the performance of "Siegfried Idyll" took place in the foyer of the Old Theatre in Zürich; the piece was subsequently given its first performance on the steps of the house at Tribschen near Lucerne on 25 December 1870, conducted by Richard Wagner – the occasion being his wife Cosima's birthday. Rauchenecker was one of the 15 musicians in the small orchestra. Not long after this, on 31 December 1870, a series of 7 quartet evenings began at the Wagners' house, with Oskar Kahl (1st violin), Georg Rauchenecker (2nd violin), Hans Richter (viola) und Hermann Ruhoff (cello) rehearsing string quartets by Beethoven.
In 1871 Rauchenecker was appointed director of music at Lenzburg where he was discovered by Dr. Jacob Heinrich Ziegler-Sulzer (1798–1882), a physician and musical patron from Winterthur.
In the spring of 1873 he converted to Protestantism as his second wife was a Protestant. The marriage to Anna Karolina Ulrica Kempin (1845–1904) took place at the Diaconal Church in Neuminster (Zürich).
On 29 October 1873 Rauchenecker, having been proposed by Ziegler-Sulzer, was elected to the post of head of music in Winterthur and, from the beginning of December 1873, he was also director of the School of Music there. In the ten years which followed he had a decisive influence upon the musical life of the city.
From 1873 to 1876 he conducted the men's choir called "Good Cheer" and in 1875 the Frauenfeld men's choir.
On 3 April 1876 Rauchenecker's father Jakob died in Winterthur; then, on 18 February 1877, his daughter Helene was born. In 1878 he took over the post of organist in the Reformed City Church from Julius Buckel. His daughter Elsa was born on 28 January 1880.
In 1880 Rauchenecker, together with U. Ruckstuhl, opened a music shop in Winterthur. When he left the city, his departure was marked by a concert given on 13 March 1884.

His Berlin Years (1884-1885)

The 30th March 1884 was the day Georg Wihelm Rauchenecker moved to Berlin to take up the conductorship of the Berlin Philharmonic Orchestra, then located in Bernburger Strasse in the district of Kreuzberg. He attained this position thanks to the extraodinarily favourable reception given to his Symphony in F minor which he had performed in Berlin in October 1883. He conducted his first symphony concert as early as 30th April that year. In addition, he worked as a piano teacher at the Stern Conservatoire and also took practices with small ensembles there.

His Elberfeld Years (1885-1906)

After a brief stay in Kassel, Rauchenecker moved to Barmen in the early summer of 1885. He then took over the Orchestral Society there, remaining until December 1887 when he became conductor of the Elberfeld Band (since 1929 the Wuppertal Band). In 1889 he founded a music school in Elberfeld. Among its students were the trombonist Joseph Franz Serafin Alschausky (1879–1948)  and the composer Gustav Adolf Uthmann (1867–1920).
From 1892 to 1893 he conducted the men's choral society called "The German Singers' Circle". In 1902 Rauchenecker was appointed "City Conductor".
His second wife, Anna, died in Elberfeld on 2nd January 1904. In 1905 Rauchenecker was accorded the title of "Royal Prussian Director of Music".
Georg Wilhelm Rauchenecker died of pneumonia in Elberfeld on 17 July 1906.

Works

Rauchenecker composed numerous works in all musical genres:

Orchestral Works

Symphony No. 1 in F minor (1875)
Symphony No. 2 in B flat major "Triumphal" (1885)
Symphony No. 3 in D major "Elegiac" (1903/1904)
Ouverture "La graine de coquelicot" (before 1870)
Symphonic Composition in the Style of an Ouverture (1880)
"Hochzeits-Idyll" (1889)
"Alarich auf der Akropolis" (um 1899/1900), symphonic poem
"Aus der Jugendzeit" (um 1896), symphonic poem
"Friedrich Rotbart" (um 1870), symphonic poem
Intermezzo from the opera "Sanna" (ca. 1893)
Violin Concerto No. 1 A minor (1876/1885)
Violin Concerto No. 2 B minor (1900)
Piano Concerto No. 1 B minor (1898)
Piano Concerto Nr. 2 F minor (1894)
Cello Concerto d minor (1905)

Songs

"Fünf Lieder der Brautzeit (Bräutigamslieder)" (1894) for baritone and piano
"Sieben Lieder" after the novel ,,Der Liedermacher" (1894) for soprano and piano
"Abendlied" (1896)
"Maria Wiegenlied" (1898)
"Wirtstöchterlein" (1898)
"Schwing dich auf" (1900)
"Ave verum corpus" (1903) for contralto, cello, harp and organ
"So geht's" (ca. 1888) for voice and piano
"Bergisches Lied" for baritone and piano
"Drei Gesänge" for baritone
"Fünf Lieder" (ca. 1883/84) for deep voice
"Königsmordliche Ballade" (ca. 1874) with flute accompaniment

Choral Works

"Sechs Lieder" (1878) for mixed chorus
"Zwei Särge" (1900) for mixed chorus and piano
"Pharao" (1897) for four-part mixed chorus or three-part women's chorus and piano
"Lied von der Glocke" for four-part mixed chorus with speaker and piano or three part women's chorus (ca. 1895)
"Hymne zur Einweihung des Kaiser-Wilhelm- und des Kaiser-Friedrich-Denkmals in Elberfeld" (1883) for men's chorus
"Deutsches Schwert und deutscher Sang" (1891) for four-part men's chorus
"Gotenzug", op. 137 (1899) for four-part men's chorus with winds or piano
"Gotentreue", op. 138 (1899) for men's chorus, soloists and orchestra (or piano)
"Germania" (ca. 1896) for men's chorus
"Sechs Lieder" for men's chorus
"Schwert und Palme" for men's chorus
"Baracher Wein" (ca. 1889) for four-part men's chorus
"Chorlied der Deutschen in Amerika" (1885) for four-part men's chorus
"Der Lenz ist da" (ca. 1890) for men's chorus
"O du taufrischer Morgen" (1877) for men's chorus
"Wie lieb ich dich" (1877) for men's chorus
"Walther von der Vogelweide" (1899) for four-part men's chorus a-cappella
"Das heutige Vaterland" (1883) for men's chorus
"Gruss der Heimat: Wo immer ich weile" (um 1888) for men's chorus
"Die Schönheit der Natur" (1900) for four-part women's chorus
"Im Abendrot" (1900) for four-part women's chorus
"Geduld" (1900) for three-part women's chorus
"Zur heiligen Nacht" (1900) for mixed and three-part women's chorus and piano
"Vater unser" (1895) for three-part women's chorus with harmonium and flute
"Weihnachtsgruss" (1898) for three-part women's chorus and piano
"Ode an das 19. Jahrhundert" (1899)
"An die Freiheit" (1891) for soloists, chorus and orchestra
"Niklaus von der Flüe" (1874), Swiss Peace Cantata, for soloists, male chorus and orchestra
"Trauerkantate auf den Tod Friedrichs III." (1888) for mixed chorus, baritone and orchestra
"Meine Göttin" (1897), cantata for tenor, men's chorus and orchestra
"Huldigung der schönen Künste" (1898) , cantata for soloists, chorus and orchestra
"Heil dir Germania" , cantata for four-part mixed chorus, piano and orchestra and speaker
"Hinaus auf hohen Bergesgipfel" , (1889) festive cantata
"Die Murtenschlacht" , (1876) cantata for soloist, chorus and orchestra
"Kaiser Otto I." , Kantate für Solo, dreistimmigen Frauchenchor und Klavier oder für Solo, gemischten Chor und Klavier
"Borussia" (1899/1900), cantata for three-part women's chorus and piano or soloist, mixed chorus and piano
"Durch Nacht zum Licht (per tenebras ad lucem)" (ca. 1900) oratorio for chorus, soloists and orchestra
"Grosse Vokale Messe" (1863/64) for six-part chorus
"Titanenschicksal" (1899)
"Festgesang" (1877) for mixed chorus, soloists and orchestra

Stage Works

"Le florentin" (1871), opera in 3 acts
"Adelheid von Burgund" (1886), opera
"Die letzten Tage von Thule" (ca. 1889), opera in 4 acts
"Sanna" (1893), opera in 2 acts
"Ingo" (1893), opera in 4 acts
"Don Quijote" (1895), opera in 3 acts
"Der Florentiner" (1901), opera in 3 acts (new version of "Le florentin")
"Ovid bei Hof", Incidental music (after 1885)
"Theodor Körner", Festival (1891)
"Amalasuntha", opera

Chamber Music

String Quartet No. 1 in C minor (1874)
String Quartet No. 2 in D major (1878)
String Quartet in A minor (ca. 1879)
String Quartet in E major (ca. 1883)
String Quartet in G minor (in the Form of a Suite) (ca. 1890)
String Quartet in E flat major
Piano Quintet in D major (1897) for piano, flute, 2 violins, viola and cello
String Sextet in E flat major
Wind Octet in B flat major (1897) for flute, oboe, cor anglais, 2 horns, bass clarinet and bassoon

Works for Solo Instruments

"6 Charakteristische Tonbilder", op. 24-29 (1873) for violin and piano
"Orientalische Phantasie" (1874) for violin and string quartet or piano
"Die vier Temperamente" , 4 short pieces for piano
"5 kleine Klavierstücke"
"26 kleine Orgelpräludien" (ca. 1902/03)
"Jesu, komm zu mir" for organ
"Präludium für Harmonium" (after 1885)

[eschiss1]

Some of this is available on IMSLP now (17 works in some form or other- full score of symphony 1; in some form or other also 16 other works including 2 of the string quartets, the violin concerto (reduction), an overture for band, Gotenzug and Gotentreue, and other works.

[eschiss1]

Belated response and catchup- are there plans in the works to record more of these pieces, or more performances afoot known? I know of recordings of one of the string quartets (quartet 1 on Jecklin, with Goetz).

[petershott@btinternet.com]

There has been a limited discussion of Georg Wilhelm Rauchenecker, including Alan's posting of the Wiki article about him. But further mention of Rauchenecker now seems to have ceased.

It probably won't do much to change the world, but might I raise his name again? Does anyone know of any, as it were, Rauchenecker activity? Performances, future recordings, broadcasts or whatever?

We've grown accustomed to wailing about composers who have now fallen into the depths of the category of the unknowns and unsungs. But I do find it quite extraordinary that, on the one hand, there is a very extensive worklist (3 symphonies, 6 concertos and other orchestral music, 6 string quartets and other chamber works, a substantial number of choral works, and a number of operas), his once high reputation as a performer (violin) and conductor, and his place in the musical world including the contacts he made..... and then on the other hand there seems to be only one solitary recording (on a Jecklin disc) of the 1st String Quartet from 1874.

Is there some kind of conspiracy against Rauchenecker?

[Mark Thomas]

  That, I doubt, Peter. I imagine it's because he lacks enough serious evangelists: several people interested enough in him to start promoting his cause seriously on sites such as this, building a web site devoted to him, persuading young artists to programme his music, getting his home town or an institution to adopt him as a famous son, badgering recording companies to record his music, radio stations to broadcast it, and raising money to offer them a financial incentive to do just that. That generally seems to be the way that you advance the cause of a long-dead composer, especially one who is as obscure as Rauchenecker. There are exceptions - Waghalter comes to mind -  but generally speaking it's a long slog. My first step would be to see if there is already a Rauchenecker Society or enough interest to set one up.

Oh, and it helps if the music is actually any good!