Conrad Ansorge (1862-1930)

Started by LateRomantic75, Wednesday 22 January 2014, 01:08

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tuatara442442

After repeated listening I have to say it is really not as chromatic as I first felt. I think I'm just too allergic to the Regerite chromaticism. Alan have a point that the music doesn't rise to a satisfying enough height. I think this happens in the first movement. And the intermezzo, weirdly, lacks a climax or a high-point in the place of a climax, and feels going nowhere.

Quote from: tpaloj on Thursday 12 September 2024, 09:48Now that the Triendl recording has been announced, do you think there is any need to hear my noteperformer rendition at all?

I didn't know the broadcast has been recorded then, and the commercial release hasn't yet been specifically announced, so I asked.

Quote from: tpaloj on Thursday 12 September 2024, 09:48I thought that the work had something in common with the style of Pfitzner and Busoni concertos: perhaps, just in concept.
I can hardly connect those two with this one: the Pfitzner PC has a similar style of relatively light chromaticism but feels much more inspired in its middle movements. The Busoni PC is at times acerbic but doesn't have "chromatic sludge" in it.

Ilja

I tend to agree that the middle movement, though very attractive, is perhaps a bit too lightweight and brief for this concerto relative to the others. But as a whole, I like this more than the Pfitzner; it's certainly a lot better balanced than that work.

pianoconcerto

The Triendl recording of the Ansorge Piano Concerto will be released by Capriccio in March 2025 as CD5511.  The coupling is von Sauer's Concerto 1.  A brief excerpt of the Ansorge and the cover of the CD is now at https://soundcloud.com/user-592952001/conrad-ansorge-piano-concerto-in-f-major-op-28

Alan Howe

Thanks so much for this preview. Much appreciated.

Rob H

https://www.prestomusic.com/classical/products/9730069--the-pupils-of-franz-liszt-emil-von-sauer-conrad-ansorge-piano-concertos

Well here's one I never expected. The wonderfully exploratory Oliver Triendl playing the piano concerto by Conrad Ansorge coupled with the second recording of Emil von Sauer's first concerto.