Reger Serenade (c. Neeme Järvi)

Started by Alan Howe, Monday 02 January 2023, 22:56

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Alan Howe


John Boyer

One of Reger's most appealing, approachable works. 

Alan Howe


Febct

It appears that Reger wrote three (four, counting one Serenade movement for winds) Serenades.  I have recordings of two (Opp. 77a, 141a), the latter also in G Major.  How does this Op. 95 compare with these two?  More "appealing?"

Alan Howe

Op.95 is Reger's only Serenade for orchestral forces. It can be heard here:
https://www.youtube.com/watch?v=ZGZVSHe28co

Febct

Quote from: Alan Howe on Tuesday 03 January 2023, 17:32Op.95 is Reger's only Serenade for orchestral forces. It can be heard here:
https://www.youtube.com/watch?v=ZGZVSHe28co

Of course, and thank you for the correction.  I had forgotten (I don't spin my Reger discs that often) that my two aforementioned Serenades were written for a trio of instruments and not, as you point out, for orchestra.  These works, though, I think, also fit the description of "appealing" and "approachable" - they're not densely chromatic and rather are open and airy.   

eschiss1

If I remember, op.77a may be a little closer to the chromatic difficulties of the string trio op.77b, but I'll have to relisten.

John Boyer

In any case, whatever the qualities of the other serenades, the Op. 95 has a gentle but almost cinematic quality -- Reger gone Hollywood, in a bucolic way. 

Alan Howe


Double-A

I have played op. 77a (decades ago in a house concert).  It is plenty chromatic, full of accidentals.  It is however very enjoyable (in a bucolic way) for both players and listeners.

It is inspired by Beethoven's serenade op. 27 for the same instruments, a masterpiece which is about as unsung as music by Beethoven can become.

eschiss1

.. op.25?
The 2 piano sonatas each "quasi una fantasia" op.27 aren't that unsung. Or serenades.