New Recording of PCs by Barvinsky & Kosenko (3 Mov. Ver.)

Started by tuatara442442, Wednesday 08 January 2025, 13:05

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tuatara442442

https://www.prestomusic.com/classical/products/9748971--ukrainian-piano-concerts-works-by-vasyl-barvinsky-viktor-kosenko
A disc of Piano Concerti by Barvinsky and Kosenko played by Violina Petrychenko will be released on Feb. 21st.
I especially welcome the first modern commercial recording of all three movements of the Kosenko concerto, since the second movement is my favorite. Previously I can only enjoy the old LP recording uploaded on youtube and a piano solo version of that movement, also played by Petrychenko in her quest of neglected Ukrainian repertoire.
By the way, Petrychenko also played Kosenko's Nocturne-Fantasy, Op. 4 gorgeously, taking a slower pace than most performances I have seen online.

Martin Eastick

Excellent news! I kept on at Hyperion to do the Kosenko ( as well as the Borowski & Schütt!) to no avail unfortunately; but this more than makes up for that! What a promising start to the new year!

Gareth Vaughan

I heartily echo Martin's enthusiasm. Two excellent PCs which should have been on Hyperion's radar. Marvellous news.

Alan Howe

It'll be good to have these - finally!

I note that the TT for the Kosenko is 48:45: something of a monster (size-wise, I mean), then?

Mark Thomas

The old recording available on YouTube comes in a 42 minutes, so that seems about right. It's a lovely work, very much in the Rachmaninov tradition, but I do feel that the first movement is rather overlong.

Alan Howe

Members may like to know that this is being offered by jpc at the substantially reduced price of EUR 5.99 for as long as stocks last:
https://www.jpc.de/jpcng/classic/detail/-/art/ukrainische-klavierkonzerte/hnum/12130048

tuatara442442

Quote from: Mark Thomas on Monday 20 January 2025, 09:18but I do feel that the first movement is rather overlong.
I feel the recapitulative cadenza is spectacular but uneccesary, since there is a formal recap after that. I'm not usually a big fan of cadenzas anyway, so I don't feel missing something coming back to the old Soviet recording with the cadenza cut.

Ilja

Quote from: Alan Howe on Monday 10 February 2025, 16:27Members may like to know that this is being offered by jpc at the substantially reduced price of EUR 5.99 for as long as stocks last:
https://www.jpc.de/jpcng/classic/detail/-/art/ukrainische-klavierkonzerte/hnum/12130048
Might have been an oopsie; it's back to 16,99.

Alan Howe

Well, not an oopsie/whoops for me - I got mine for the discounted price! ;D  And I did say as long as stocks last! (They must have sold out and re-stocked).

Alan Howe

My initial impressions: the Kosenko is probably too long for its material (especially the first movement at 23:53), but no doubt familiarity will bring a greater a sense of what the composer was trying to achieve. A word of warning, though: this is not Rachmaninov - Kosenko was from a later generation. Think Medtner, perhaps? By contrast the Barvinsky (at 20:37) is much easier to grasp and has greater immediate appeal.

The orchestra is somewhat thin-sounding in the string department, well though they play overall. I wonder what toll the war may have taken in respect of their numbers?

Nevertheless, a very fine release which deserves the widest possible exposure.

eschiss1

Only 6 years separate Rachmaninoff and Medtner, which is hardly a "generation"... Kosenko is indeed from 20 years later though, closer to the time of Lyatoshynsky, Ornstein, Eckhardt-Gramatté...

Alan Howe

I was trying to convey the reality that Kosenko's music doesn't really sound like Rachmaninov and struggling to think of possible comparisons in a corner of the repertoire I don't know a lot about. What's clear, though, is that Kosenko is nothing like, say, Prokofiev or any of the modernists; at heart he is a late romantic, producing a work which outdoes anything by Rachmaninov in terms of scale while not quite sounding like him. Rather a clever compositional niche (which Medtner sort of occupies too). And then an obvious steal from Rachmaninov comes along only to develop in a different direction - Kosenkoesque, I suppose. Fans of Rachmaninov and Medtner will love this, though. Very Slavic...

A thought: invite these Ukrainians (orchestra, conductor Volodymyr Svokhip and soloist Violina Petrychenko) to perform the Kosenko at this summer's Proms: they'd go down a storm.


eschiss1


Gareth Vaughan

You think the controller of Radio 3 would have the imagination to do that? Dream on!!!

Alan Howe