I know we have a general thread about Dutton's latest releases, but I think it'll be worth starting separate threads on each of them, so let's take the CD of orchestral Widor here.
I've been listening to Symphony No.2 in A of 1882 which turns out to be a thoroughly enjoyable work, packing an awful lot into its 26 minutes (it feels like a much bigger piece). The idiom is fascinating: the orchestration is often quite robust, not to say heavy, with some marvellous brass-writing; there are also lot of what I, as a musical layman, would describe as 'scrunchy' harmonies, particularly in the first movement, and there is much that is rhythmically interesting throughout. All in all, I'm very glad to have made the acquaintance of this athletic and compact symphony.
More comments on the remainder of the CD to come...
Another CD in the bundle which arrived today and which should get a spin tomorrow...
Anything by Widor is a must-buy for me; it's a great shame he gets pigeon-holed as an organ composer only.
Could you please post the movement titles/tempos in this thread?
In Benfeld's transcription (these may differ in the original orchestral version)--
1. Allegro vivace (quarter note=160)
2. Moderato (half note=104)
3. Andante con moto (quarter note=63)
4. Vivace (quarter note=130) - Scherzando - Moderato
(@ IMSLP ; Free Library of Philadelphia concurs on the basics of this description.)
re 1882, do they include information settling the composition date at 1882? I just know that it was published in that year, but for all I know it might have been composed earlier.
1882 is the only date given in Dutton's sleevenote re. Symphony No.2. The Cello Concerto, by the way, is a rather nice piece with some catchy tunes, as in the finale. Personally, I can't see why this shouldn't join the Saint-Saëns and Lalo concertos in the standard repertoire. Dutton have really surpassed themselves with this superb issue: I for one am glad that they are now casting their net wider than the purely British repertoire.
...and as a follow-up to my earlier post on Symphony No.2, I have to say that further playings today reinforce my impression that this is a major work. I am absolutely astonished that this powerful, memorable piece - which packs so much into its relatively brief span - has been left unperformed and unrecorded for so long. Marvellous: definitely my symphonic discovery of 2013 so far!
I've just finished listening to all three works on this Dutton release and I must say that I thought each of them superb. The Cello Concerto is, as Alan says, a very attractive crowd pleaser which nonetheless has a good deal of substance to it. The Three Preludes to Les Pêcheurs de Saint-Jean is another winner; the substantial Wagnerian Overture in particular is a very dramatic piece, which reminded me a lot of Franck's Chausseur Maudit. The Symphony is also a very impressive composition, but I won't spend time praising that beyond agreeing with all that Alan says. More orchestral Widor, please!
Do the movements as labelled on the CD correspond with those described by Eric in the Benfeld transcription?
Yes, apart from the finale, which is labelled: Vivace – Scherzando – Allegro con brio.
Both Widor symphonies for Orch are here:
https://www.youtube.com/watch?v=QvdMViwWHLc (https://www.youtube.com/watch?v=QvdMViwWHLc)
https://www.youtube.com/watch?v=HAvhoJIF4LA (https://www.youtube.com/watch?v=HAvhoJIF4LA)
And now you know why I asked for the movements. I'm trying to draft M. Cabedal into the fellowship.
Only now listening to part of the earlier Widor Dutton release (the piano concertos - just them, broadcast on BBC Radio 3 last week last week (http://www.bbc.co.uk/programmes/b01rr8pp) - for some reason it says available for a year somewhere on the site, but probably won't be available more than a day; I'd grab a listen if you haven't heard it already and if it's still there. Good stuff. The first has a themelet in common with a Scharwenka concerto, it seems to me... (I mention as a pleasant curiosity).)
My copy of the CD is on its way to me. In view of all the comments made about the music, I am really looking forward to listening to it.
You won't be disappointed, Dennis, it's an absolute corker!
I have now listened to this CD several times and totally agree with the comments made by Alan and Mark regarding the description and quality of the music. A superb CD, Dutton are to be congratulated! I will be returning to this music often!
Everything I've heard by Widor, I have enjoyed, and to have these symphonies available is a delight. What I really want to know is why they have been neglected while everyone has heard his organ music. It just seems bizarre - especially since organ music (which I love) is such - shall we say - an acquired taste!
Do we know what prompted Dutton to issue their Widor recordings? I wonder if it was a response to Hyperion's recording of the piano concertos?
I've only just found out about Dutton's Volume 2, and have ordered it immediately, having spent the last 4 or so years editing and reissuing scores of Widor's complete (extant) piano works. The musical quality of the majority of it is good to excellent, and deserves to be more widely known. Only a few have been recorded to date, so maybe one day someone might be interested in recording a Widor piano intégrale; one can only hope! ;)
cheers,
Daniel
Today, after a long wait, I opened a package and put on the new Dutton Widor disk. Then I immediately replayed the 2nd symphony. and then again. What a marvelous, brilliantly executed work! The finale in particular: Widor really understood how to get the adrenaline running - and there is no part of the symphony that doesn't overstay its welcome. I'm beginning to think that Widor is one of the major composers who has been overlooked and neglected: everyone focuses on that Tocatta to the exclusion of some great music. I hope more of his orchestral works will be recorded, soon.
there's a fair amount of under- or just un-recorded Widor, I think- operas and ballets (e.g. Maître Ambros, Nerto; La korrigane; suites from them might do well on disc at least; there is already a suite from the incidental music to Conte d'avril Op.64 listed in the works section at Wikipedia, I see), vocal, choral works and brass works (Salvum fac populum tuum Op.84 seems to do fairly well, it's true) - etc. ... (Ouverture espagnole, 1897- I think I've seen that @ IMSLP, but not recorded?...)