...forthcoming on Chandos:
https://www.prestomusic.com/classical/products/9411894--neeme-jarvi-in-concert
One of Reger's most appealing, approachable works.
Yes - it's gone straight on my list.
It appears that Reger wrote three (four, counting one Serenade movement for winds) Serenades. I have recordings of two (Opp. 77a, 141a), the latter also in G Major. How does this Op. 95 compare with these two? More "appealing?"
Op.95 is Reger's only Serenade for orchestral forces. It can be heard here:
https://www.youtube.com/watch?v=ZGZVSHe28co
Quote from: Alan Howe on Tuesday 03 January 2023, 17:32Op.95 is Reger's only Serenade for orchestral forces. It can be heard here:
https://www.youtube.com/watch?v=ZGZVSHe28co
Of course, and thank you for the correction. I had forgotten (I don't spin my Reger discs that often) that my two aforementioned Serenades were written for a trio of instruments and not, as you point out, for orchestra. These works, though, I think, also fit the description of "appealing" and "approachable" - they're not densely chromatic and rather are open and airy.
If I remember, op.77a may be a little closer to the chromatic difficulties of the string trio op.77b, but I'll have to relisten.
In any case, whatever the qualities of the other serenades, the Op. 95 has a gentle but almost cinematic quality -- Reger gone Hollywood, in a bucolic way.
John has it spot-on.
I have played op. 77a (decades ago in a house concert). It is plenty chromatic, full of accidentals. It is however very enjoyable (in a bucolic way) for both players and listeners.
It is inspired by Beethoven's serenade op. 27 for the same instruments, a masterpiece which is about as unsung as music by Beethoven can become.
.. op.25?
The 2 piano sonatas each "quasi una fantasia" op.27 aren't that unsung. Or serenades.