QuoteActually, I think most musicologists would put it the other way round
I agree that these terms are hard to define. But as far as I can see Barber is more frequently termed a neo-romantic:
http://www.theguardian.com/music/2010/nov/18/samuel-barber
http://en.wikipedia.org/wiki/Excursions_%28Barber%29
http://www.fuguemasters.com/barber.html
http://www.encyclopedia.com/topic/Samuel_Barber.aspx
...not least in this important book:
http://www.amazon.co.uk/Voices-Wilderness-Neo-Romantic-Composers-Traditionalist/dp/0810857286
QuoteIncidentally, I can't agree about the Barber VC - the finale is just faster than the other movements (and harder to play). Stylistically, it's all Barber.
Well, it's certainly all Barber. But Barber wrote in more than one style - which the history of the genesis of the work certainly suggests.
Anyway, back to S-K, please...