News:

BEFORE POSTING read our Guidelines.

Main Menu
Menu

Show posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.

Show posts Menu

Messages - jasthill

#1
Composers & Music / Re: Fedor Akimenko
Wednesday 21 August 2024, 21:21
Kirill Karabits and Bournemouth Symphony Orchestra have recorded it for Chandos (https://www.chandos.net/products/catalogue/CHAN%2020371) also available on Apple and Amazon.  I think it's on this years Proms Sunday 25 August with the above.
#3
Late this past night I checked out Presto's next 90 days:

Bernhard Stavenhagen: Piano Concerto No. 2, 3 Orchestral Songs
Johannes Bernardus van Bree: Violin Concerto · Fantasy · Overtures
Augusta Holmès: Symphonic Poems
Carl Reinecke: Symphony No. 2 · Overtures
Emilie Mayer: Three Violin Sonatas
Max Reger: Violin Concerto op. 101
Hans Huber: Piano Quintets 1 & 2
Rita Strohl: Volume 2, Musique de Chambre
Victor Bendix: Symphonies 1 & 3
Johannes Brahms: First Symphony (Live Recording) (Cover says First Recording Ersteinspielung - Urfassung) ???
Wilhelm Kienzl: Four Song-Cycles
Friedrich Hermann: Violin Music, Vol. 1 - Solo Works

Prepare to empty your wallet, forget the trip to the beach, go check it out for yourself.
#4
Question:  Wasn't the Orchestra Sinfonica di Roma disbanded in 2014? It would seem that this recording is maybe one that was "in the can" as they say or a transcript from a broadcast.  I believe the same argument could be made for the previous Naxos release of the Giovanni Sgambati: Symphony No. 2; Sinfonia Epitalamio ('Nuptial Symphony').  Maybe Naxos has some more goodies awaiting from the Sinfonica di Roma.  A new Malipiero symphony cycle (or at least some of them) would be nice.
#5
A new recording of Hjalmar Borgstrøm's symphonic poems: 'Tanken' & 'Jesus i Gethsemane' on CPO just popped up over the weekend.  It's found on YouTube:
https://www.youtube.com/playlist?list=OLAK5uy_l1NCH9RT_pKm0yL_PUneStzovXGLtwfK4

No mention on the jpc, Presto (futures), or Amazon, nor Apple, etc. websites.
#6
Ah! Nothing like a trip down memory lane to kindle the joys of record collecting.  I recall that in the record shop I frequented they would have the previous months Schwann catalog on the free table thus alleviating the need to spend the exuberant amount of I believe $ US 1.25 for the current month's catalog.  My oldest Gramophone is from August 1982  - Vaughan Williams The Sons of Light by Lyrita on the cover.  Don't forget by Penguin The Symphony by Ralph Hill. Of course I still have my Supraphon and Melodyia LP's - so hard to get back then - but the repertory - so intriguing - and the sleeve covers so artful - and the liner notes in 8 pt pica print. The one thing I wish existed is a photocopy(s) of the collection of the Records International Catalogs - my earliest October 1983.
#7
I too am also moved by the Litton-Dallas-Carpenter version of the Mahler 10th.  With respects to the Carpenter version some say it is really more Carpenter's 10th symphony than Mahler's.  In late Mahler I hear elements of Das Lied in the 8th symphony, but in the movement of the 10th that Mahler scored I hear a more Bergian style.  Maybe AI will formulate a version, but if a recent AI generated version of the scherzo to Beethoven's 10th symphony is any indication it will just be a hodgepodge of previous snippets of what was already composed.  This opinion doesn't really answer the question for either side but merely stokes the question of where would have Mahler's style gone?
#8
This one has caught me by surprise on CPO Walter Kaufmann - Piano Concerto No. 3 - Symphony No. 3 - 6 Indian Miniatures. Not yet listed on jpc's web site, but found else where on the web in assorted places including youtube. I guess he's a late romantic 20th century unknown - does he fit here?.  Chandos had a CD of his chamber music in 2020 on the Composers in Exile series.  The samples I've heard put him in the Korngold-Rózsa milieu.
#9
Maybe off the subject, .. but part of the problem is I think is the tendency of many modern (resident and guest) conductors to have pre-packaged interpretations of certain repertory pieces that they can "mail-in" whenever the opportunity arises.  A little tweaking here and there I.e. "strings a little dolce in bar 120, .. winds  slur the triplet in bar. 29, etc." rehearsal over, assistant conductor does the run through.  Just get up in front wave the stick, grimace at the appropriate times, bow when done.  No need to delve into compositions that deserve deeper introspection or exposure.  Maybe the audience would enjoy the excursion.  Here locally we seem to be stuck on recurrences of the Schumann 2nd Symphony,  Mozart Overtures, and Bernstein West Side Story Dances.  Sure would like to hear the Frank Symphony again, or even Chausson's Symphony, maybe even some d'Indy.
#10
Don't forget this pioneering release in 1970 by Antonio De Almeida and the New Philharmonia - Schmidt -La Tragédie De Salomé - Chausson - Viviane - Duparc - Lénore.
#11
Gotta like this forthcoming CD - some previously recorded mixed with some new unsungs newly recorded.

https://www.prestomusic.com/classical/products/9532394--aux-etoiles-french-symphonic-poems
#12
Let me be the first nay-sayer to jump in on this. I've listened to the music - its pleasant enough, nothing to offend, sort of generic tonal moderism with minimal angst.  I'm curious though - how much of this will actually enter the repertory?  For example, our local symphony makes a big deal each year of the new commissions they either sponsor or play. I'd venture to say I've yet to hear a repeat performance of any in the intervening years. Seemly a one and done type of performance - maybe a traveling guest conductor will play the piece in their stops but that's it. Of course, so much unsung(s) awaiting exposure that I would rather hear.
#13
Just found it on Presto - regardless of comments on tempo, phrasings, etc. sounds gorgeous to me.
#15
Quote from: Ilja on Monday 27 March 2023, 11:29From what I gather, there are quite a few "symphonizations" of pieces by Brahms,
Don't forget these:
Eleven Chorale Preludes, op.122, orchd. by: Detlev Glanert, Erich Leinsdorf, Virgil Thomson, Henk de Vlieger
Brahms: Piano Concerto No. 3 in D Major after Violin Concerto, Op. 77 (Arr. Lazić)
Brahms: Handel Variations: Edmund Rubbra
Liebeslieder-Walzer: Richard W. Sargeant, W. Weismann

Schoenberg probably did the most damage with his orchestration (extra composition) of the Piano Quartet, the other seem to be straight (here's how Brahms might do it) orchestrations.
I say the old man (Brahms) would be cross and a bit chippy over all this, more interventions then Bruckner got with his symphonies.