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Vladimir Ivanovich Sokalsky (1862-1919)
-->https://en.wikipedia.org/wiki/Vladimir_Sokalsky

That CPO album of "The Queen of Sheba" was nominated by Gramophone Magazine I think in 2016 or 2017.

The complete Orfeo set of the symphonies is now available.
-->https://www.amazon.com/Glazunov-Symphonies-Bamberger-Symphoniker/dp/B07KZKCFYF/ref=sr_1_2?keywords=glazunov&qid=1550169183&s=music&sr=1-2

Kapp's First Symphony is pretty wonderful (including the finale with its theme et variations, that particular form Kapp excelled at). His other three are pretty good in their own rights.

On the contrary, the 1934 re-issue recording courtesy of Naxos is a major album. The sound is not the state of the art, but it's adequate given its age. But the performance is another story. The singing (by Gota Ljungberg, Gladys Swarthout, Edward Johnson, and especially by Lawrence Tibbett) is uniformly excellent and authoritative. And Tullio Serafin leads the MET with plenty of fire and aplomb. With this recording made before a live audience, it has a wonderful yet moving sense of occasion.

I would say get this recording if you can.

I still have his recording of Massenet's "Thais" which I adore.

I cannot disagree with mbhaub in the state of classical music and the changing economic, demographic, cultural, societal realities that affect it. The audience is getting older and leaner, and orchestras are being forced to be creative in bringing the fans back. I do not see anything getting better, at least in the short-term. And forget orchestras doing a Glazunov, Atterberg symphony (or any obscured works). This is more of survival than of expanding the repertoire. Endowments are down, and have been for a long time (even the American Symphony Orchestra is feeling the pinch).

Here's a glimpse of what the Cleveland Orchestra is facing.
http://www.nytimes.com/video/arts/music/100000002900637/finding-tomorrow8217s-classical-fans.html

^^
The Atterberg! I think I'll keep that on reserve in case I lose the Stojowski (somehow).

[Zygmunt Stojowski's]

I'm picking Zygmunt Stojowski's Piano Concerto no. II. It's an amazing piece and the theme et variations last movement is among the best written.
I agree with the Svetlanov and Medtner (Third Concerto) mentioning.

["Christmas Eve"]

Speaking of Bax, I played his "Christmas Eve" the other day and was reminded why I was so enraptured by it in the first place. It's truly a glorious work.
Then there's Atterberg's "Älven" which I find very enjoyable also.

^^
Thank you kindly LateRomantic75

I agree with you on Scott's Sonata no. I. What Leslie De'Ath did under Dutton Labs in reviving the composer's piano music is nothing short of astonishing (with consistently high level of imagination and artistry). I find myself going back to this set quite regularly.

Of the Dvorak op.97 I would recommend the recording by the Zukerman Chamber Players (Altara label, 2006).
I must admit I am influenced by the live performance by Zukerman and friends I attended to some years ago (along with quintets by Mozart and Beethoven).

Thank you Alberto.

It has been a long while since I listened to Dvorak's Quintet (never bought a recording of it). Thanks for the mention. What recording(s) would you recommend?

Glazunov's String Quintet in A Major, Op. 39 (1891) - A quintessential Slavic work (yet verging on the cosmopolitanism that would be Glazunov's musical identity to the end).