Find postings very helpful. Thank you! What I miss, though, is some appreciation of Mr Huber´s reconstructive work.
Appraising the "flute trills in the scherzo" is actually complemeting Mr Huber´s creativity; same goes for those clarinette interjections and timpani accents.
Or take the last movement, where Michael FP Huber in the horn passage creates a link with the 1st movement, something Rufinatscha wouldn´t have done. So, maybe hats off to Mr Huber?
Best
UED
Appraising the "flute trills in the scherzo" is actually complemeting Mr Huber´s creativity; same goes for those clarinette interjections and timpani accents.
Or take the last movement, where Michael FP Huber in the horn passage creates a link with the 1st movement, something Rufinatscha wouldn´t have done. So, maybe hats off to Mr Huber?
Best
UED